Work starts at 10 (usually). Next to my workshop, in her studio, Batia begins her day.
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| preparing the materials |
The aroma of my coffee disintigrates with the fumes of the terpentine and paint. I am asked to lower the music. Batia hates any noise while she works! Music is noise!!
She sits for a while in her barber's think chair, studying the unfinished painting on the wall.
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| Batia's "think" chair, in the studio, next to the French Godin stove |
Then, the only sound hear, is that of the brushes on the canvas and in the jars mixing the paint.
I am always amazed at the result. I stopped painting, after we met! Until then I had great potential!
My " job": building the the wood stretchers and helping Batia to stretch the canvas. We do this after the work is finished and off the wall.
I like the stage when the canvas on the wall is finally put on the wood stretcher.
It then, for me, becomes a painting.
I am always amazed at the result. I stopped painting, after we met! Until then I had great potential!
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| canvas on the wall - work in progress |
My " job": building the the wood stretchers and helping Batia to stretch the canvas. We do this after the work is finished and off the wall.
 |
I like the stage when the canvas on the wall is finally put on the wood stretcher.
It then, for me, becomes a painting.
I enjoy being in the studio. The painted images around begin to speak.
If you're interested to see more, enter Batia's site.
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